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Play Review
Featherbrained Foolishness Made
For a Grand Time for ‘Fools’

By Chelsea Cook of Home School ITS (April 2, 2006)

(Ms. Cook is a CAPPIES reviewer for The Washington Post. She attended Mason’s production of Fools to write this review.)

If you think 14 is a dozen, you wish to speak Rabbit, your whitefish smells like flowers and yellow is your favorite color because it doesn’t stick to your fingers as much, you might just be enough of a “Fool” to belong in Kulyenchikov, Russia.

A boisterous rendition of “Fools” was performed by the students of George Mason High School. Written by Neil Simon in 1981 as a condition of his divorce settlement, this was Simon’s “Springtime for Hitler,” designed to flop – which it did, closing after only 40 performances.

“Fools” takes place in the little village of Kulyenchikov, Russia, during the late 1800s. Leon Tolchinsky (Nathan Ward), a young teacher, has come to teach Sophia (KK Bracken), the daughter of Dr. and Mrs. Zubritsky (Johnny Vroom and Katie Gordon). At first glance, Leon falls madly in love with Sophia, but he soon discovers that she can’t love him back. A horrible curse of stupidity has been placed on the town, and it’s up to Leon to break the curse in 24 hours or he will soon be among the stupid.

The fools of the village of Kulyenchikov wait in front of the village shops created by set designer John Ballou’s crew. (Photo by Angel Bunker)

Among the cast of “Fools,” there were many fine performances, including KK Bracken whose ditzy facial expressions and impeccable timing were the center of attention. At age 19, Sophia has just learned how to sit down, thinks up is down and actually tries to catch a cold! Bracken’s character was an absolute blast, and she had sensational chemistry with her love interest, Nathan Ward. Ward was delightful and provided many laughs for everyone, using the audience to focus his humor. Johnny Vroom’s character was endearing in its silliness, and Daniel Thielman and Adam Gann as the Slovitch Brothers stumbled, bumbled and smashed into the set to waves of laughter from the audience. As quasi-Siamese twins, they had ample opportunity for extraordinary physical comedy.

The mesmerizing lighting, designed by David Maher, included rainbow colors that beautifully enhanced the set. A final vivid lightning flash topped off the lighting effects for the evening. The complex set, painted by Addison Blakemore, consisted of a two-story house, shops and stores and a balcony that was sturdy enough to climb on. (And rest assured, it was climbed on again and again and again) making the balcony a focal point of the comedy. The Russian peasant costumes appeared in a dizzying array of colors that caught the spirit of the times.

During the show, there were one or two bursts of giggles coming from the stage. Cast members came out of character, but they managed to pull the audience into the fun and provided a nice laugh. Some of the comedy seemed forced at moments and unnatural, but for the most part, the show was a blast to watch.

Featherbrained foolishness and frivolous stupidity made for a grand evening for any fun-loving fool.

 


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