Features - OnLine

SEWING FOR SUCCESS
Nette, Burkey Create Costumes
That Inspire Actors ‘To Do Well’

By: Dana Cazan, Sean Butler, and Daniel Watkins (December 6, 2005)

“I think a good costume helps motivate the actor to do well,” said senior Hendrika McManus, one of the key performers in last weekend’s production of the musical “Kiss Me Kate.”  She and fellow cast member Katie Gordon stood side by side, adorned in the ornate, hand-made dresses that were showcased in the musical.


Para-professional Janice Nette and parent Ruth Burkey set out six weeks ago to embark on this vigorous journey—sewing an array of costumes that captured the spirit of the two very diverse times, the Renaissance and the 1940’s.

“I love to sew!”  Mrs. Nette exclaimed as she continued to pursue this task she so greatly enjoys.  This is the mentality needed to make over 90 costumes with expenses exceeding $500 in credit card bills.  However, this is nowhere near the estimated fortune that it would have cost to rent or purchase costumes for three nights.  Through their wise shopping, Nette and Burkey saved the school thousands (the estimated savings was anywhere from $6 to $10 thousand) with their much-appreciated abilities.

“We are a team,” said Nette, referring to her partner Mrs. Burkey.  The two, along with play director Ms. Ricker sat, perched upon a small step at the front of the drama classroom.  Surrounding them was an abundance of costumes, each reflecting the closet of someone who dwelled during the Renaissance or the 1940’s.

Unique time periods that serve as the setting for this musical, based upon Shakespeare’s “Taming on the Shrew,” posed a challenge for the seamstresses.  Trying to replicate the historical styles, they did a grand amount of research.  Both designers scoured internet websites, reference books, and idea catalogs in search of the perfect patterns to serve as a foundation. 

Senior actors Andy Parker and Katie Gordon display the authentic Renaissance costumes designed by Janice Nette and Ruth Burkey. (Photo by Emily Sanders)


Starting with a bundle of discounted patterns, including upholstery material, the costume designers ravaged the clearance sections of various fabric stores.  They spent hours gathering as many yards of quality upholstery possible as if searching for that single Pot o’ Gold.

Her hands leading the skirt to swirl, as if once again she was a young girl pretending to be a princess, star Katie Gordon responded: “(A good costume) puts you in the mind set.”  This was the true Pot o’ Gold for the designers, not the bargains found or the completion of so many outfits. It was the feeling of knowing, through hard work, that they had assisted young actors in actually becoming the part they were playing.

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