Features - OnLine

Wiant Animates First 'First Friday'

By Alex Hahl (April 12, 2003)
 

The first of many planned shows called "First Friday" opened April 4th in the building formerly occupied by Aladdin’s Lamp bookstore on West Broad Street. It featured a mixture of live music and short films, both live action and animated, by 1997 GM graduate Teddy Wiant.

The crowd at first was small despite free admission. Only a dozen people were in the audience as the show began at 6 PM with a set of songs performed by three-fifths of the New Old Time String Band. Since the band’s fiddle and mandolin players were missing, the band consisted of two guitarists and TA Coon on that foundation of all great music, the washtub base. They played a mixture of folk and bluegrass, including a couple Bob Dylan covers.

By the time the main event started at 6:30, the crowd had more than doubled, including several cast members of "Jaffar," Mr. Wiant’s early adaptation of "MacBeth," filmed during his senior year for his high school English class. After a few technical difficulties, local community guy Dave Eckert got the projector working, and the show began.

Teddy Wiant, 1997 graduate of George Mason, was present at the screening of his animated films Friday night at the site of the former Aladdin's Lamp bookstore. Behind Teddy is one of his many creations. (Photo by Nate Stanaland)

The first film, the descriptively titled "Sunscope Marquee and My First Film," consisted of clay figures rolling around and eating each other to the tune of maniacally played music. This was followed by "Pixies," an interesting if somewhat disorienting mixture of lights and colors that Mr. Wiant described as "film for its own sake." "Stoner’s Science Theatre" was the final film in the first block of three. I’m not sure what I can say about this surreal epic, except that it involves two dancing Easter Island statues, an astronaut doll, and no dialogue whatsoever.

The second set of films, which Mr. Wiant described as "self-explanatory" began with my personal favorite, "The Picker and the Redemption." This film, in black and white, is clearly more polished than his earlier work. The story, which Mr. Wiant says was inspired by his trip to Africa, is easy to follow despite the lack of dialogue. Heavy with symbolism, it follows a farmer who is forced off his land. He goes unwillingly at first, but finally embraces the modern age, throws away his tools, gets an office job, and buys a mid-sized sedan. Life goes on repetitively, and the farmer’s old life is forgotten, until, on his daily commute, the farmer crashes his car near to his old field, and returns to the land. But not before smashing his computer with the pickaxe he formerly threw away.

Some, including myself, might think this story has Maoist ideology behind it, given the central theme of abandoning technology and returning to the land. Mr. Wiant denies this, however, claiming the message is simply "Do what you love."

Next was another live action, combined with some pencil and paper animation, "The Animators" is an alternately sped up and slowed down view of animators at Hampshire College and the animation they produce. Mr. Wiant declined to show the last film "The New Frontier" due to "language issues," but we were able to watch the credit sequence, which seemed to be set in Africa.

"Weird Man" is what we call this creature, sculpted by local artist, film maker and George Mason graduate Teddy Wiant. (Photo by Nate Stanaland)

By this time, the fiddle player for the band had arrived, and they played another set of songs to conclude the show. All things considered, the show was good. The New Old Times String Band played admirably despite their missing members, and it is clear that Teddy Wiant has come a long way since "Jaffar."

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