Wiant Animates
First 'First Friday'
By Alex Hahl (April 12, 2003)
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The first of many planned
shows called "First Friday" opened April 4th in the building
formerly occupied by Aladdin’s Lamp bookstore on West Broad Street. It
featured a mixture of live music and short films, both live action and
animated, by 1997 GM graduate Teddy Wiant.
The crowd at first was small despite
free admission. Only a dozen people were in the audience as the show began
at 6 PM with a set of songs performed by three-fifths of the New Old Time
String Band. Since the band’s fiddle and mandolin players were missing,
the band consisted of two guitarists and TA Coon on that foundation of
all great music, the washtub base. They played a mixture of folk and bluegrass,
including a couple Bob Dylan covers.
By the time the main event started
at 6:30, the crowd had more than doubled, including several cast members
of "Jaffar," Mr. Wiant’s early adaptation of "MacBeth," filmed during his
senior year for his high school English class. After a few technical difficulties,
local community guy Dave Eckert got the projector working, and the show
began. |
Teddy Wiant, 1997 graduate of George
Mason, was present at the screening of his animated films Friday night
at the site of the former Aladdin's Lamp bookstore. Behind Teddy is one
of his many creations. (Photo by Nate Stanaland) |
The first film, the descriptively
titled "Sunscope Marquee and My First Film," consisted of clay figures
rolling around and eating each other to the tune of maniacally played music.
This was followed by "Pixies," an interesting if somewhat disorienting
mixture of lights and colors that Mr. Wiant described as "film for its
own sake." "Stoner’s Science Theatre" was the final film in the first block
of three. I’m not sure what I can say about this surreal epic, except that
it involves two dancing Easter Island statues, an astronaut doll, and no
dialogue whatsoever.
The second set of films, which Mr.
Wiant described as "self-explanatory" began with my personal favorite,
"The Picker and the Redemption." This film, in black and white, is clearly
more polished than his earlier work. The story, which Mr. Wiant says was
inspired by his trip to Africa, is easy to follow despite the lack of dialogue.
Heavy with symbolism, it follows a farmer who is forced off his land. He
goes unwillingly at first, but finally embraces the modern age, throws
away his tools, gets an office job, and buys a mid-sized sedan. Life goes
on repetitively, and the farmer’s old life is forgotten, until, on his
daily commute, the farmer crashes his car near to his old field, and returns
to the land. But not before smashing his computer with the pickaxe he formerly
threw away. |
Some, including myself,
might think this story has Maoist ideology behind it, given the central
theme of abandoning technology and returning to the land. Mr. Wiant denies
this, however, claiming the message is simply "Do what you love."
Next was another live action, combined
with some pencil and paper animation, "The Animators" is an alternately
sped up and slowed down view of animators at Hampshire College and the
animation they produce. Mr. Wiant declined to show the last film "The New
Frontier" due to "language issues," but we were able to watch the credit
sequence, which seemed to be set in Africa. |
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"Weird Man" is what we call this
creature, sculpted by local artist, film maker and George Mason graduate
Teddy Wiant. (Photo by Nate Stanaland) |
By this time, the fiddle player
for the band had arrived, and they played another set of songs to conclude
the show. All things considered, the show was good. The New Old Times String
Band played admirably despite their missing members, and it is clear that
Teddy Wiant has come a long way since "Jaffar."
Tell us what you think.
E-mail lassogmhs@hotmail.com
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